18.07
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Well, that was a (tongue in cheek) offering last post. Could it be possible? Would it be probable? If ever they married I would expect Sebastipole to get eaten at the end of the wedding night like some poor male praying mantis.
Monday had a question (similar to one I received via email from Nick Nitsch of Nashville):
"What kinds of music are most prevalent on the h-c?"
Such a topic is indeed not distracting but fundamental to my conception of the H-c - there is a beautiful piece by Strauss (the younger I think) Invitation to a Dance which though actually truly too new, has been an abiding inspiration to me. Monday rightly deduces that there are regional and social differences, but in the main when I think music for the Half-Continent I think late Baroque (as it is called in our world) and early Classical - Handel, Vivaldi, Bach, counterpoint and the private chamber ensembles merging with and developing into Boccherini, Mozart, Haydn - essentially what is sometimes called a Rococo style. (I have as yet to come up with the H-c names for some of these music styles - an interesting and I hope rewarding diversion!) This of course would be the more citified musics, out in the parishes it would more strident, the instruments more antiquated, the pieces more folk style or popular balladry. Hero of Clunes for example, in her tour of Sulk End and the Idlewild (as seen in MBT Book 1 & 2) would be doing a combination of popular shanty (albeit taking it to a more sophisticated and sonorous level) and high-brow choral numbers written by the current and more popular/fashionable composers (such as Stumphelhose of Witzingerod, Cappelluto of Seville, or Attic Nehme or Brandenbrass).
Oh, and as requested, for breakfast I had Vita Brits with sultanas and a cup of tea sweetened with honey.
Monday had a question (similar to one I received via email from Nick Nitsch of Nashville):
"What kinds of music are most prevalent on the h-c?"
Such a topic is indeed not distracting but fundamental to my conception of the H-c - there is a beautiful piece by Strauss (the younger I think) Invitation to a Dance which though actually truly too new, has been an abiding inspiration to me. Monday rightly deduces that there are regional and social differences, but in the main when I think music for the Half-Continent I think late Baroque (as it is called in our world) and early Classical - Handel, Vivaldi, Bach, counterpoint and the private chamber ensembles merging with and developing into Boccherini, Mozart, Haydn - essentially what is sometimes called a Rococo style. (I have as yet to come up with the H-c names for some of these music styles - an interesting and I hope rewarding diversion!) This of course would be the more citified musics, out in the parishes it would more strident, the instruments more antiquated, the pieces more folk style or popular balladry. Hero of Clunes for example, in her tour of Sulk End and the Idlewild (as seen in MBT Book 1 & 2) would be doing a combination of popular shanty (albeit taking it to a more sophisticated and sonorous level) and high-brow choral numbers written by the current and more popular/fashionable composers (such as Stumphelhose of Witzingerod, Cappelluto of Seville, or Attic Nehme or Brandenbrass).
Oh, and as requested, for breakfast I had Vita Brits with sultanas and a cup of tea sweetened with honey.
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