Rabu, 30 November 2011
03.20
hadir untuk berbagi
I think I'm within the statute of limitations for Thanksgiving, so let me say I am also thankful for past contributors sending me photos of new work that they want to share with the Tattoosday community.
Take Niki, for example, who I met in the summer of 2010, and whose tattoo appeared here. Out of the blue she recently sent me this e-mail:
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Take Niki, for example, who I met in the summer of 2010, and whose tattoo appeared here. Out of the blue she recently sent me this e-mail:
"about a year ago, you featured my beautiful cat memorial tattoo (by John Reardon, who was at Saved Tattoo at the time). i follow your blog regularly. you always feature beautiful work with interesting stories attached. i just got a crazy new tattoo that i thought i'd send along, in case you think it's worthy of sharing. it was done by the incredible dr. lakra in oaxaca, mexico."
That's pretty darn cool, if I do say so myself. Skulls are common tattoo themes, so it is exciting to see a spin on that idea, and what better way to honor getting inked by a famous Mexican artist than by getting a skull with a tattered lucha libre mask?
Thanks to Niki for staying in touch and sharing her new tattoo with us here on Tattoosday!
This entry is ©2011 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Selasa, 29 November 2011
13.35
hadir untuk berbagi
In recent issue of GQ magazine (US edition), I came across this ad for The Art of Shaving:
The Chinese translation of "The Ambassador of Smooth" as 平稳大使 is contextually incorrect.
平稳 refers to stability, not related to physical surface condition, which shaving is about. Nor the American English slang usage of "smooth" in terms of finesse.
平稳大使 would be better suited as ad slogan for a physical therapy clinic, than hawking male grooming products.
The Chinese translation of "The Ambassador of Smooth" as 平稳大使 is contextually incorrect.
平稳 refers to stability, not related to physical surface condition, which shaving is about. Nor the American English slang usage of "smooth" in terms of finesse.
平稳大使 would be better suited as ad slogan for a physical therapy clinic, than hawking male grooming products.
Senin, 28 November 2011
03.49
hadir untuk berbagi
If you’re still recovering from a day of camping out and fighting the crowds for Black Friday holiday gifts, might I suggest one more item for your list?
Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.
I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.
I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.
As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.
All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.
Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?
Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.
The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.
All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.
With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!
**After this posted, Carl Zimmer e-mailed me:
Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.
I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.
I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.
As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.
All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.
Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?
Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.
The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.
All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.
With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!
**After this posted, Carl Zimmer e-mailed me:
"Thanks! I agree that the artists should get credit. My designer and I put together a list, but a change in schedule prevented the publisher from putting it into the book. We'll be sure to get it into the next printing".
This entry is ©2011 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Sabtu, 26 November 2011
Kamis, 24 November 2011
Rabu, 23 November 2011
10.47
hadir untuk berbagi
This Thanksgiving, I am thankful for many things, especially my lovely wife and two amazing daughters. You, the readers out there in the world, are also people for whom I am thankful. Mahalo, as they say in my childhood home, for visiting often.
I am also thankful for the month of November, which always seems to be a slowdown month for me and Tattoosday. My posting pace slows significantly, despite still carrying a backlog of posts from the summer. Consider them my tattoo acorns that I'm saving for those cold days ahead when a tattoo sighting in New York generally means someone has removed their gloves or scarf!
Stay tuned in the weeks ahead for a flurry of book reviews, just in time for the holiday shopping season and, in the mean time, enjoy this post from last Thanksgiving, slightly edited, which appeared here.
Have a safe and happy Thanksgiving!
In honor of the holiday, I am sharing this, my newest tattoo, located above my knee on my right thigh:
This was done at Hand of Glory in Brooklyn yesterday as part of the shop's $75 Thanksgiving Tattoo Special ...
For those of you just tuning in, check the pre-post here, which includes all the Thanksgiving flash designed for the occasion. I asked readers to vote on which tattoo to get, and this one sneaked out a narrow victory over the traditional Native American profile.
I like this design because it combines a lot of traditional tattoo elements and delivers an image with a sociopolitical subtext. We have the traditional American flag and handshake designs, but the added element of crossed fingers serves as a reminder that, despite apparent good intentions, there was subsequently a historical betrayal of that initial good will.
But that's just one perspective, of course, and the Thanksgiving holiday focuses on the positive in our society. The mere existence of the tattoo reminds me to be thankful, which I alluded to in my original post.
I was fortunate enough to have BJ as my artist again. He had inked my Friday the 13th tattoo last August, and I appreciate that he works quickly and concisely.
It was nice, also, that this design was one of his contributions to the flash sheet, as he was kind enough to embellish slightly on the original design, and it always seems better when an artist is tattooing his or her own design. As for the idea behind it, he was trying to represent graphically a broken treaty. I'm extremely pleased with the end result.
...
I want to thank all of the readers who voted for designs, and for everyone who reads and supports the site.
And thanks again to ... BJ at Hand of Glory, and to my family, at home in Brooklyn and across the U.S., for their support
I am also thankful for the month of November, which always seems to be a slowdown month for me and Tattoosday. My posting pace slows significantly, despite still carrying a backlog of posts from the summer. Consider them my tattoo acorns that I'm saving for those cold days ahead when a tattoo sighting in New York generally means someone has removed their gloves or scarf!
Stay tuned in the weeks ahead for a flurry of book reviews, just in time for the holiday shopping season and, in the mean time, enjoy this post from last Thanksgiving, slightly edited, which appeared here.
Have a safe and happy Thanksgiving!
In honor of the holiday, I am sharing this, my newest tattoo, located above my knee on my right thigh:
This was done at Hand of Glory in Brooklyn yesterday as part of the shop's $75 Thanksgiving Tattoo Special ...
For those of you just tuning in, check the pre-post here, which includes all the Thanksgiving flash designed for the occasion. I asked readers to vote on which tattoo to get, and this one sneaked out a narrow victory over the traditional Native American profile.
I like this design because it combines a lot of traditional tattoo elements and delivers an image with a sociopolitical subtext. We have the traditional American flag and handshake designs, but the added element of crossed fingers serves as a reminder that, despite apparent good intentions, there was subsequently a historical betrayal of that initial good will.
But that's just one perspective, of course, and the Thanksgiving holiday focuses on the positive in our society. The mere existence of the tattoo reminds me to be thankful, which I alluded to in my original post.
I was fortunate enough to have BJ as my artist again. He had inked my Friday the 13th tattoo last August, and I appreciate that he works quickly and concisely.
 |
| BJ at Work |
...
I want to thank all of the readers who voted for designs, and for everyone who reads and supports the site.
And thanks again to ... BJ at Hand of Glory, and to my family, at home in Brooklyn and across the U.S., for their support
This entry is ©2010, 2011 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Senin, 21 November 2011
13.07
hadir untuk berbagi
The wolf, a great spirit animal of the North American tribes, a very popular and timeless tattoo design. Th e technique with only using stipes and dots can be found on bone carvings from the "wild west" and was used to decorate knife handles etc. with sometimes very complex pictures.
13.00
hadir untuk berbagi
Why the swastika on the shield? in the original meaning there´s no better protection symbol and Wotan and the horse appear a lot together with the sunwheel during that period.
Some basic and necessary information ( we can not do enough to spread knowledge, only knowledge and education avoid intolerance and violence) : http://de.wikipedia.org/wiki/Swastika
12.21
hadir untuk berbagi
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